JDMEET STUDIO / BANGKOK / WORLDWIDE

MIXING
& MASTERING.

Hard music needs weight without collapse. I shape mixes that hit hard, stay clear and translate beyond the studio.

SEND A PRIVATE DEMO ↓
01

MIXING

Balance, impact, depth and translation—from stems to a controlled, club-ready mix.

02

MASTERING

Final tone, dynamics and level prepared for streaming and high-pressure playback systems.

03

MIX FEEDBACK

A focused technical review before you commit to a full mix or master.

HOW IT WORKS

FROM DEMO
TO DELIVERY.

  1. Private review. Send a bounce and describe the problem, references and intended release or playback context.
  2. Scope first. You receive a recommended service and quote before any work begins.
  3. Mix or master. The track is evaluated for balance, dynamics, low end, distortion and translation—not forced into a generic preset.
  4. Feedback and delivery. Review the result in your own listening environments and return clear revision notes if needed.

MONITORING CHAIN

DECISIONS YOU
CAN TRUST.

Projects are checked through ADAM Audio T5V nearfield monitors and beyerdynamic DT 990 Pro headphones, with a Focusrite Scarlett 2i2 at the centre of the studio chain.

  • Focusrite Scarlett 2i2
  • ADAM Audio T5V monitors
  • beyerdynamic DT 990 Pro headphones
  • Hard-techno and hardcore production experience

PRODUCTION NOTES

READ THE
WORKFLOW.

See the same decision-making approach used in the studio before sending a track for feedback, mixing or mastering.

HOW TO MIX KICK + BASS IN HARD TECHNO →

START A PROJECT

LET ME HEAR
THE TRACK.

Upload a rough mix or demo. Tell me what is not working and what you want the record to do. I'll listen and reply with the right next step and a quote.

INFO@JDMEETMUSIC.COM ↗

Your file is stored privately and used only to evaluate this request.

QUESTIONS

BEFORE YOU
SEND A TRACK.

Do you only work on hard techno?

No. The studio specialises in hard techno and hardcore, but also works with electronic music where impact, distortion, low-end control and club translation matter.

What should I send for mix feedback?

Send a current stereo bounce and explain what feels wrong, where the track will be played and which references describe the direction. Stems are not required for the initial review.

What should I send for mixing?

After the project is agreed, export consolidated stems from the same start point with processing that defines the sound left on. Include a rough mix and one or two relevant references.

Can I request mastering if the mix is not finished?

Yes. Send the mix first. If a mix issue would limit the master, the recommended next step will be explained before work begins.